Monday, November 11, 2013


I was out of town for a couple of weeks recently; down in Cincinnati for Woodworking in America (peddling my wares) and then in Pennsylvania for a short visit with my family.  WIA was a blast.  I met too many good people to mention here, and had the opportunity to let other people put the new adze through its paces.  Between the adzing, turning demonstrations for the Galbert caliper, and travisher demonstrations, our booth was a mess for the entire show.
As much fun as I had traveling, it felt great coming home to Maine.  I stopped by my workshop as I drove into town to drop off some tools.  After I set down the boxes I stopped and felt my body completely relax for the first time in two weeks.  Home, sweet home.

Reamers in progress.

It is fair to say that for the month leading up to WIA I was basically living in the workshop.  My goal was to finally catch up with the reamer wait list and build a supply of reamers to take with me to the show.  I was also finalizing the adze design and making finished prototypes to take along, but mostly I was cranking out reamers like the little one man factory that I am.

It might sound crazy, but I love the repetition of making the reamers.  I pull ten air dried hickory rounds from the rack above my bandsaw, rough turn, drill, duplicate, turn the top, sand, finish, saw the blade slot, drill for the adjuster screw, cut the shaving reliefs, drill and install the brass tip, ream for the handle, and fit the blade.  It's not really as fast as that description made it sound, but at the end of the process I have ten reamers. I love watching them take shape.  The process is controlled, but it still takes awareness and skill to move through it without losing a few blanks.  That's what keeps it fun.

I started a new batch last week which will take me over 150 reamers so far this year.  You would think that I would have the process figured out and nailed down in every way by now, but I learn a few new things each time I make a batch.  Early on, the lathe duplicator taught me a lot about vibration.  More recently, I've been learning how to find a rhythm in the order of operations that carries me through the process a little faster.


It's funny but my two weeks out of the shop completely throw off my rhythm.  I had to think more about everything that I was doing and I even did a couple of steps out of my normal sequence.  That gives me a couple more things to work on when I make the next batch, and that is what keeps it interesting.

Monday, October 14, 2013

New Adze and a Stack of Reamers for WIA.

Prototype mountain.

For the past six months I have been developing an adze with Pete Galbert.  The intent has been to make a tool that is intuitive to use, easy to control, and doesn't wear out your forearm.  My shop has been overflowing with prototypes and woodchips throughout the process.  Above is but a selection of the prototypes (sans blades).  I am sure that Pete could contribute at least another half dozen to my pile.

I've made bevel-in blades and bevel-out blades, tools balanced with the weight forward of the handle, centered on the handle, and behind the handle, straight handles and extremely curvaceous handles, and I've attached them to the heads at every angle that I could imagine.  I'm pleased to say that we have settled on a geometry and design and I will have two to take with me to Woodworking in America later this week.

More details about the adze soon, just a couple of teasers for now.  I'm thrilled with the looks and performance and I can't wait to get them into other peoples hands.  So if you are going to be at WIA, PLEASE come by and chop up some pine with one of them.  Chips will be flying and we will be making a mess, join in the fun.  I'll be setting up with Pete, Claire Minihan (amazing travishers!), and Caleb James, who I think is bringing some of his planes along.  Stop by to try out some tools and talk chairs and chairmaking.  Oh man!  And to check out the new Drawsharp drawknife sharpener.  I've been using an early prototype for the past few months and I love it.  I've been oogle-ing the pictures that Jameel Abraham posted on the Benchcrafted blog for the past week or so in spare moments.  I can't wait to see the finished tool.

Also for the first time ever I will have reamers available for purchase with no wait.  So stop by and try one out as well.

Tuesday, October 1, 2013

A Slipstrop

My new slipstrop.

I finish sharpening most of my tools with a strop.  The give of a leather strop ever so slightly reaches around all of the imperfections in my sharpening technique, while only rounding the edge a small amount.  Not enough to interfere with future sharpening.  I have used a few techniques to strop the insides of gouges, adzes, and inshaves in the past, but I've never been quite satisfied with any of them, until yesterday.

Slipstrop next to my standard strop for comparison.

I used to keep a specially shaped wooden blocks or various dowels charged with stropping compound bouncing around on my workbench, or some other inconvenient place.  These invariably made their way into my scrap bin eventually.  Then I would make another, which would also find its way into the bin, or linger too long on my bench top or window sill encouraging an exponential growth of clutter.  When I grew tired of that routine I found I could usually work the corner of my regular strop (a little over 1" wide) into the inside of most curves.  This basically worked, but it was a bit awkward, and I never felt like I could apply the amount of pressure that I wanted.  Enter the slipstrop.

Strops and a favorite gouge.

This week while forcing my too wide strop into the inside of an adze, I thought of those fine little slipstones that fit nicely in the hand and can be used to work the insides of these curved tools.  I pulled a piece of 1/4" scrap out of my bin, cut and glued a piece of leather to one edge, and in ten minutes I had the perfect tool for the job.  This narrow strop is versatile and will work in all of my curved tools that my wider strop can't reach into.  Instead of having a special block or dowel to keep track of for various tools, I have just this one strop.  Now I just have to drill a hole in it and hang it up so it doesn't clutter up my bench top and find its way back to the scrap bin.

Hold it like a slip stone and strop away.

Tuesday, September 24, 2013

Shaving Horse - The Business End

The swing arm and work platform are the heart and soul of this shaving horse.  The tight tolerances of these two parts prevent the head from racking and simple improvements to the height adjustment mechanism make for a more powerful and easy to use horse.  My previous post, Build a Better Shaving Horse, is a general overview and offers more insight into the design and features of this horse.  This post deals with building it.

My loud associate.

I used a power planer to thickness most of the parts for this shaving horse.  Ninety-nine percent of the time it slumbers silently in a dark corner in the closet of my workshop.  This is not a necessary tool to build this shaving horse, but it speeds up the process.

Work platform components.

I started by thicknessing the center portion of the work platform lamination.  It is important that this piece slip easily into the base, but not be loose enough to wiggle.  The length of this piece depends in part on the thickness of the rails of your base.  It should protrude 3" or so beyond the base rails and 11" (or more) above the top edge of the base.  I started with an 18" length, which left me with plenty of material to trim away in the end.  This piece is 4 1/4" wide.  I cut a relief at the top to give the swing arm clearance to pivot forward.  The relief cut out measures one inch at the top and tapers to nothing over six inches.

The two wider pieces in the photo form the cheeks and shoulders of this giant laminated tenon.  They are 7 1/2" wide and 11" long.  At this width, southern yellow pine boards usually have some cupping.  I completely flatten these pieces before gluing the work platform together.  These giant tenon cheeks also form the channel that the swing arm rides in, and flattening them keeps the tolerances tight in this critical area.  I also make sure the bottom edge of each cheek is square to the front edge.  This is easy to square up before laminating the pieces together, and more challenging to do later.

All glued up.

When you glue up the work platform there are a couple of things to keep in mind.  The pith side of the each tenon cheek should be oriented toward the center.  Flatsawn yellow pine boards this wide will cup a little over time, even after flattening them.  Orienting the boards this way prevents them from cupping toward the swing arm and pinching it in place.  Tenon shoulders that fit tightly to the base rails help to keep the platform assembly from wiggling and walking around in use. This shaving horse will be subjected to more torque, racking forces, and abuse than almost any piece of furniture.  

I carefully align all the pieces as I clamp the laminations together, with particular attention to keeping the shoulders parallel to each other and square to the center lamination.  No matter how careful you are during glue up, the tenon shoulders will probably need some work to get a good fit with the base rails.  A little time with chisels, a shoulder plane, or a table saw crosscut sled should do the trick.

Hole drilled for a wedge.

Once the glue has dried and the cheeks have been fitted to the base rails, I cut the mortise for the wedge that secures the platform to the base.  I start by scribing a line along the underside of the base rail with the platform in position on the base.  Then, I drill a 5/8" hole, centered on the tenon, and just touching the line.

Wedge mortise squared and tapered.

I square the hole with a chisel, making sure to remove extra material from the top of the mortise wall so that it doesn't prevent the wedge from bearing against the bottom of the base rails.  I like to use wedges with a six degree taper.  They lock tightly with a couple of taps of a drawknife handle.  The bottom wall of the mortise is cut at a corresponding six degree angle.  The dimensions of this mortise are not critical.  Get the angle close and size the wedge to fit the mortise.

Six degree wedge.  Use a hardwood.

See the marks from the mortise endgrain?

If you look closely at the picture above you will see the indentations that the leading edge of the mortise made on my wedge as I drove it in.  That means that my wedge taper is fatter than my mortise taper.  I use a handplane to micro adjust the wedge's taper until I see even indentations from the entire length of the mortise endgrain.

Tenon cheeks and wedge fitted.

The top of the work platform assembly will get more attention later.  For the moment I'll move on to the swing arm.

My screaming companion returns!

My rough swing arm was 32" long by 3 1/4" wide.  With the work platform wedged to the base, plane the swing arm to fit the channel in the lamination.  Proceed slowly.  The swing arm should slide easily without binding in the channel, wiggling should be minimal.

Layout for adjustment pin holes.

The height of the head is adjusted by a pin that fits into a series of holes in a groove on the swing arm.  The groove should be on the same side of the horse as your dominant hand when seated in the working position.  Lay out a line two inches down from the top of the swing arm and wrap it around the workpiece.  This line will become the tenon shoulders that the head will rest against.  With a combination square or marking gauge, lay out a line 7/8" from the front edge and 6" long that begins 3 3/8" below the shoulder line.  From the beginning of this line mark center points every 9/16".  Drill a 1/4" hole at each of these points.

Holes drilled.  Groove grooved.

With the holes drilled, it is time to cut the groove that keeps the pin aligned while you are changing the height of the head.  I used a Stanley No. 50, which is not designed for cutting stopped grooves.  I removed the remaining humps in the ends with a 1/4" chisel.  Use whatever does the trick.  In a pinch you could do it all with just a 1/4" chisel.

Back to the platform.

Work surface mocked up.

It's time to make some decisions about the height of the finished work surface.  My work platform is 10 1/2" from the top of the base rail to the top of the platform at the leading edge, and the platform is sloped at 7 degrees.  I'm pretty short, 5'5", so if you are much taller you may want a taller platform.  Before you cut the angle on the top of your laminated tenon assembly, don't forget to subtract the thickness of the platform piece that you will add later.  My platform piece was 1" thick, so the leading edge of my laminated assembly is 9 1/2" from the top of the rail, which gives me a platform height of 10 1/2" at the leading edge.

Cut the slope on the top of your laminated assembly.

Clearance for the swing arm.

Next, hold the swing arm in place so that there is at least a 3/4" gap between the back of the center lamination and the front edge of the swing arm.  This gap gives the swing arm clearance to pivot forward.  Mark a line that is centered on the groove.  Carry the line down the side of the cheek one inch and make a mark at that point.

Laying out the hole for the adjustment pin.

Drilling the hole for the adjustment pin.

Use a drill press, mirrors, or a couple of squares to drill a 1/4" hole through the tenon cheek at that point.  My drill bit wasn't long enough to drill across the channel and into the other side on my drill press.  I chucked the very end of the bit in my cordless drill and used the first hole as a guide to drill 3/4" into the opposite side.  The better the alignment of the holes as they are drilled, the less fussing to get the pin to fit later.

Holes aligned.

I like a low profile shaving horse head.  This makes it easier to reach over the head to work on the other side of the swing arm (especially useful for spoon carving).  Because I am working with dimensional lumber in this design I needed to laminate a piece for the head to get the 1 3/4" thickness that I wanted.  But before I laminated it I cut the mortise all the way through one piece.  This makes it easier to shape the mortise and get a good fit with the tenon.

Laying out the mortise on the head.

The head is 6 1/4" long and 4 1/8" wide.  The joint that attaches the head and the swing arm is a bit odd.  The mortise is oriented across the grain, with endgrain forming the two long sidewalls of the mortise.  This has some downsides from a joint strength perspective, but it has to be this way to keep the head as low profile as I want it.  I have been using my previous shaving horse for 3 years and the joint is intact.  Curtis Buchanan has been using a shaving horse that I built like this for him for the past year and his is intact.  And any shaving horse in Curtis' shop gets a workout.

Bulk of mortise waste removed.

The mortise is 5/8" wide with a 3/4" haunch on the back edge.  I remove the bulk of the material on the drill press and then square up the sides and ends with chisels.  This is a through mortise until I laminate another piece for greater thickness on the other side.  I take advantage of that and work from both sides to make a very clean, precise mortise.

Ends squared up and sides cleaned.

Tenon cut.

Cut a 5/8" tenon with a 3/4" haunch at the back edge on the top of the swing arm.  Because the grain orientation in this joint is a little funny, I feel it is important for this joint to have an exceptional fit.  Don't rush this part.  When the joint is fit up, cut off any of the tenon that protrudes through the head.  I scribe a line around the tenon and cut to the inside of the line to leave a little space for glue.

Joint fit up with steel pin above that will lock the tenon in place.

Laminating the head.

Even though I only needed to add a 1/2" to get the head to the thickness I wanted, I laminated a full 1 1/2" piece.  The extra thickness acts as a caul and distributes the pressure of the clamps more evenly along the glue surface.

1" yellow pine for the treadle and platform.

While the glue in that lamination is drying  it is a good time to take care of a couple of odds and ends that will finish out the build.  I use 1" thick pine for the platform top and the treadle.

The platform top is 6 1/4" wide and 8 1/2" long with a cut out for the swing arm.  I like the platform top to overhang the laminated portion a little in the front and the back, just for looks.  Two 3" long screws hold the platform in place.  I have a stash of leather that I bought a few years ago in Tennessee at a flea market that I like to glue to the top of the platform to prevent workpiece denting.  This is good stuff.  Pete Galbert has found that vegetable tanned leather is a little too slick.  Jameel Abraham, of Benchcrafted, recommends using suede on vice chops.  Since he is the reigning king of workholding, I would wager that suede is a good choice.

Treadle tenon.

The treadle has a 5/8" mortise that slides onto the bottom of the swing arm and is secured with a wedge.  The distance from the bottom of the head to shoulder for the treadle is 27 3/4" on the front edge of the swing arm.  The treadle shoulders are cut at 10 degrees.  The process for cutting and fitting the wedge is the same as for the wedge that secures the work platform to the base. 

Treadle top.

Treadle bottom.

The treadle is 8" wide at the front edge and 3 3/4" wide at the back.  Total length is 13" and the distance from the back edge of the treadle to the back edge of the mortise is 1 3/4".

Joint complete.

Back to the head!  Once the glue has dried saw or plane the head down to 1 3/4" thick.  Test fit the tenon again and make sure that it is not too long.  Trim if necessary.  If you leave the front corner of the head square a couple of things will happen:  the corner will crush immediately and it will dent the carefully shaped workpieces that you put in the jaws.  I like to cut a rabbet on the front edge and add some kind of padding to eliminate the denting.  In the past I have used thick leather, which works great.  But I wanted to try something different for this shaving horse.

Rubber insert.

I bought some nonmarking neoprene rubber from McMaster-Carr to try.  It was 1/4"  thick and I left it 1/16" proud of the wood.  It is superglued in place.  The rubber holds like crazy!  No spindles slipping out of these jaws and knocking the wind out of you.  But unfortunately it is too soft (50A) and I would prefer something less squishy.  I'll order some harder neoprene rubber in the future and give that a try.

Another option to reduce denting is to radius the leading edge of the head and glue some suede in place.  If you try this, I would love to hear your impressions.

Gluing the head to the swing arm.

Next up, joining the head and the swing arm.  I used the cut off from the bottom of the swing arm as a caul to give my clamps a good bearing surface.

Layout for the steel pin.

Once the glue has set up, I pinned the tenon in place with a piece of 1/4" steel rod.  The rod passes all the way through the tenon and into the front portion of the head.  I like to make the pin as long as I can without it popping through the front of the head.  The pin is centered on the swing arm to assure that it passes through the center of the tenon.  I drilled the hole a 1/2" up from the shoulder of the joint.  Precision is important in this operation, so that you don't drift and drill through the side of the tenon.  Use mirrors or whatever you need to keep your bit as straight as possible.  I used my drill press.

Drilling for the pin.

Make sure the hole passes all the way through the tenon and into the front of the head.  The pin is crucial to the longterm strength of this joint.

Steel pin driven home.

I am fairly confident that a good hardwood pin would be functional in this application.  But then you wouldn't have that shiny little chamfered pin on the back of the head to look at.  Whew!  I love the way that looks.  The pin is glued in place.  Epoxy is the best choice.  I had superglue on hand.

Filing the adjustment pin to fit.

If you have ever tried to fit cold rolled steel rod through a hole that is nominally the size of the rod, you will know that it doesn't always work out.  Sometimes the surface of the rod is uneven and the stated dimension can be over or under sized.  Precise, it is not.  Inexpensive and widely available, it is.  I file the 1/4" rod to get the fit that I want.  The process for changing the diameter of the rod is the same that I use to whittle a windsor chair spindle.  Long light passes with the rod rotated a small amount after each pass.  Test fit with the swing arm in place until you have a nice smooth action that does not bind.

Marked for bending.

I like to bend the end of my adjustment pin around which helps to keep it from sliding out as I work.  Locate the bend by inserting the pin into the work platform as far as it will go.  Make a mark 1/2" out from the surface of the wood.  Make a mark that won't disappear when the rod is heated.  A propane or MAPP torch provides plenty of heat for bending stock this small.

Bending the adjustment pin.

Heat the rod and bend it at the desired point.  A metal machinist vise, which I don't have,  is the tool for this job.  I found that I could clamp the rod in the underside of my saw vise.  I don't think I damaged it.  Heat the rod in the open air and only clamp it when the section that you want to bend is glowing.  Pull up the bar fast for a nice, tight curve.  Plenty of extra length makes this easier.

First bend.

I didn't get any pictures making the second bend that wraps the pin back around.  Probably because my bending setup was so lousy and I was fighting it the whole time.  The second bend is easy if you have a good metal vise or more ingenuity than me to make do with what you do have.  The second bend is another 90 degree bend, 1" down from the first bend.  Cut off the rod 3/4" from the second bend.  Here is the pin in place on the horse.

Hole layed out for end of pin.

Looks better than a straight old pin, right?  Drill a 1/4" hole to house the end of the pin.

Adjustment pin in place.

Only the seat remains.  I carved a prototype stool seat.  I can't advocate for a comfortable shaving horse seat strongly enough.  I find sitting on a plank or sitting on a bicycle style seat for hours unbearable.  My butt hurts just thinking about it.  I recommend using whatever tools you have to play around for a little while and carve a seat.  Try a shape or an idea that you saw somewhere or that has been bouncing around in your head.  Curtis Buchanan uses sack back seats and Pete Galbert uses stool seats.  Both are comfortable.  Treat yourself.  Hopefully you will be spending many, many hours on that seat.  If at any point you start to develop calluses on your butt (seriously, I have had butt calluses from terrible shaving horse seats), stop whatever you are doing and carve a comfy seat.  You will never regret it.  This little seat took me half an hour to carve, and I had a blast doing it.

Prototype stool seat.

Fin and risers for forward tilt.

I screwed a fin to the bottom to slide between the base rails.  I also added a couple of riser blocks to tilt the seat forward a little.  I find a level or slight forward tilt to be a comfortable working position.  The seat completes the horse.

Now, on to more pressing tasks!  Like shaving a small mountain of adze handles.